The Tracery Planter carries its decoration across every surface. A repeating floral lattice — geometric at its core, softened by petal forms at each node — is pressed into the clay body before firing, the pattern running continuously from base to rim without interruption or border. Into these recessed lines, a teal pigment is worked and wiped back, so the colour sits in the impressed grooves while the raised ground remains dark. The effect is the reverse of paint: the pattern is revealed rather than applied.

The colour reads differently depending on the light. In shade, the teal is deep and jewel-like against the near-black ground. In direct sun, it lifts towards turquoise — almost luminous where the light catches the raised edges of the lattice. The interior is finished in the same dark matte, clean and unadorned.

The form beneath the pattern is rounded and wide-shouldered, tapering gently to a stable base. The rim is smooth and rolled — a deliberate pause before the density of the surface below. The proportions are generous without being heavy; the pattern gives the pot its visual weight, not the clay.

A single Tracery Planter reads as an object of craft. Grouped as a set of three nesting sizes, the repeating lattice creates a rhythm across the arrangement — the same pattern scaled to each form, the tones shifting slightly as light falls across the curved surfaces at different angles. Comes with drain hole at the base.