Beena Sambaragimath did not set out to build a business. She set out to answer a question that kept returning to her every time she walked into a beautifully designed space that somehow felt unfinished. The answer was always the same — it was green, it was living form, it was the garden left outside when it belonged within. That conviction became Midori

As principal curator and founder, Beena occupies a role that resists easy definition. She is not simply a buyer of plants or a seller of pots.  She reads a space the way others read a room — its light, its proportion, the way it holds an afternoon. Every plant, every vessel, every handcrafted piece in the Midori collection has been held against one quiet standard: does it carry something beyond what the eye immediately sees?

What began as a deeply personal practice in Belagavi has grown, without compromise, into a Studio trusted by clients across homes, estates, and hospitality spaces far beyond the city. Midori has stayed, through all of it, exactly what it was meant to be — considered, unhurried, built on a sensibility rather than a catalogue.

To come to Midori is to encounter that sensibility first. The shop, the studio, the garden — all of it is an extension of one curator’s eye, and an open invitation to find what already belongs in your space.